African drama and performance
/ edited by John Conteh-Morgan and Tejumola Olaniyan
Secondary Authors:
ISBN: 0-253-34439-5 ; 0-253-21701-6Collection: African expressive cultures / Patrick McNaughtonClassification: 3 (Sub-Saharan Africa)Contents note: King Baabu and the Renaissance vision / Wole Soyinka Dimensions of theatricality in Africa / Joachim Fiebach Theatre and anthropology, theatricality, and culture / Johannes Fabian Pre-texts and intermedia: African theatre and the question of history / Ato Quayson Soyinka, Euripides, and the anxiety of empire / Isidore Okpewho Antigone in the "land of the incorruptible": Sylvain Bemba's Noces posthumes pour santigone (black wedding candles for blessed-Antigone) / John Conteh-Morgan Gestural interpretation of the occult in the Bin Kadi-so adaptation of Macbeth / Marie-José Hourantier Yoruba gods on the American stage: August Wilson's Joe Turner's come and gone / Sandra L. Richards Femi Osofisan: the form of uncommon sense / Tejumola Olaniyan Revolution and recidivism: the problem of Kenyan history in the plays of Ngugi wa Thiong'o / Nicholas Brown The politics and theatre of Sony Labou Tansi / Dominic Thomas Theatre for development and TV nation: notes on educational soap opera in South Africa / Loren Kruger Literacy, improvisation, and the virtual script in Yoruba popular theatre / Karin Barber "How they see it": the politics and aesthetics of Nigeria video films / Akin Adesokan Modernity's trickster: "dipping" and "throwing" in congolese popular dance music / Bob W. White Theatres of truth, acts of reconciliation: the TRC in South Africa / Catherine Cole The Turner-Schechner model of performance as social drama: a reexamination in light of Anlo-Ewe Haló / Daniel Avorgbedor Theatricality and social mimodrama pius / Ngandu Nkashama Bibliography: Bibliogr. p. [249]-268. IndexSubject - Topical Name: Théâtre -- Afrique 20e siècle | Arts du spectacle -- Afrique 20e siècle | Théâtre africain -- 20e siècle Histoire et critique | Theater -- Africa -- History -- 20th century | Performing arts -- Africa -- History -- 20th century | African drama -- 20th century -- History and criticism
List(s) this item appears in:
Pius Ngandu Nkasham
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Document empruntable, en libre accès | BULAC Rez-de-jardin | Livre | 3 791 AFR | Available | 1195498345 |
"A Research in African Literatures Book."
Bibliogr. p. [249]-268. Index
King Baabu and the Renaissance vision / Wole Soyinka Dimensions of theatricality in Africa / Joachim Fiebach Theatre and anthropology, theatricality, and culture / Johannes Fabian Pre-texts and intermedia: African theatre and the question of history / Ato Quayson Soyinka, Euripides, and the anxiety of empire / Isidore Okpewho Antigone in the "land of the incorruptible": Sylvain Bemba's Noces posthumes pour santigone (black wedding candles for blessed-Antigone) / John Conteh-Morgan Gestural interpretation of the occult in the Bin Kadi-so adaptation of Macbeth / Marie-José Hourantier Yoruba gods on the American stage: August Wilson's Joe Turner's come and gone / Sandra L. Richards Femi Osofisan: the form of uncommon sense / Tejumola Olaniyan Revolution and recidivism: the problem of Kenyan history in the plays of Ngugi wa Thiong'o / Nicholas Brown The politics and theatre of Sony Labou Tansi / Dominic Thomas Theatre for development and TV nation: notes on educational soap opera in South Africa / Loren Kruger Literacy, improvisation, and the virtual script in Yoruba popular theatre / Karin Barber "How they see it": the politics and aesthetics of Nigeria video films / Akin Adesokan Modernity's trickster: "dipping" and "throwing" in congolese popular dance music / Bob W. White Theatres of truth, acts of reconciliation: the TRC in South Africa / Catherine Cole The Turner-Schechner model of performance as social drama: a reexamination in light of Anlo-Ewe Haló / Daniel Avorgbedor Theatricality and social mimodrama pius / Ngandu Nkashama